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| Name | | The Tranquility Sea |
| Price, USD | | 220.00 |
| Status | | For sale, check |
| Size, cm
| | 130.0 x 50.0 cm /switch |
| Artist | | Klaudia Warwel |
| Year made | | 2009-02-07 |
| Edition | | Limited |
| Style | |
Figurative Art |
| Realism |
| Impressionism |
| Abstract Expressionism |
| Pop Art |
| Shawl |
| Theme | |
Landscape |
| Seascape |
| Media | |
Acrylic |
| Other media |
| Wood |
| Collection | |
Landscapes |
| Abstract |
| Surrealism |
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| Same Style Figurative Art |
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| Art in which recognizable figures or objects are portrayed. |
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| Same Style Realism |
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| A style of painting which depicts subject matter (form, color, space) as it appears in act... |
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| Same Style Impressionism |
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| An art movement founded in France in the last third of the 19th century. Impressionist artists sought to break up light into its component colors and render its ephemeral play on various objects. The artist's vision was intensely centered on light and the ways it transforms the visible world. This style of painting is characterized by short brush strokes of bright colors used to recreate visual impressions of the subject and to capture the light, climate and atmosphere of the subject at a specific moment in time. The chosen colors represent light which is broken down into its spectrum components and recombined by the eyes into another color when viewed at a distance (an optical mixture). The term was first used in 1874 by a journalist ridiculing a landscape by Monet called Impression - Sunrise. |
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The portrait of the brigadier of the Diadkinskaia dairy farm
by Kachalina |
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| see in full album |
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| Same Style Impressionism |
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| An art movement founded in France in the last third of the 19th century. Impressionist artists sought to break up light into its component colors and render its ephemeral play on various objects. The artist's vision was intensely centered on light and the ways it transforms the visible world. This style of painting is characterized by short brush strokes of bright colors used to recreate visual impressions of the subject and to capture the light, climate and atmosphere of the subject at a specific moment in time. The chosen colors represent light which is broken down into its spectrum components and recombined by the eyes into another color when viewed at a distance (an optical mixture). The term was first used in 1874 by a journalist ridiculing a landscape by Monet called Impression - Sunrise. |
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| Same Style Traditional |
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| Pre-1900 |
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| see items |
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| Same Style Traditional |
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| Pre-1900 |
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| see items |
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)
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