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Name  THE LIVING-ROOM AT E.A.BORATYNSKI'S ESTATE
Price, USD  Contact Seller / Artist
Status  For sale, check
Seller  Russian Art Gallery
Size, cm  104.0 x 115.0 cm /switch
Artist  DMITRY BELYUKIN
Year made  1999-01-01
Edition  Original
Style   Realism
Theme   History
Media   Oil on canvas
Collection   History of Russia
Golden names of Russia 3
Description 
The Muranovo Museum is a unique monument of Russian spiritual life of the 19th - early 20th century connected with the names of outstanding poets Yevgeny Abramovich Baratynsky (1800 - 1844) and Fyodor Ivanovich Tyutchev (1803 - 1873)

From 1816 till 1918 in Muranovo successively lived the families of Engelgardt, Baratynsky, Putyata, Tyutchev who formed and developed traditions of a family and cultural nest. The inhabitants and guests were well-known literary critics, writers, artists, outstanding contributors to the development of the Russian language; N.Gogol, Sergei and Konstantin Aksakov, Prince V.Odoyevsky, Ya.Polonsky, A.Maikov, etc.

Since the late 19th century Muranovo had gradually turned to a museum where family relics were carefully preserved and collected. Its beginning was marked by Sophia L'vovna and Nikolai Vasilyevich Putyata when they inherited the estate after Y.A. Baratynsky's death. They preserved everything that reminded of "the poet of thought" and helped to read his poems filled with "aristocratic stylish beauty": furniture in his study, private things, water-colours and gouaches brought from Italy.

The following owners of the estate Ivan Tyutchev, the younger son of the poet F.I. Tyutchev and his wife Olga Nikolayevna, Putyata's daughter, went on preserving and collecting Muranovo items. Objects of everyday life, portraits were sent there from Tyutchev's estate Ovstug in Orel Gubernia. The poet's manuscripts, books, pieces of furniture were brought from Petersburg flat. In 1886, F.I. Tyutchev's elder daughter - Anna Fyodorovna - passed to Muranovo the furniture from Moscow study of her husband Ivan Sergeyevich Aksakov, a publicist, poet, public figure and F.I. Tyutchev's first biographer.
In the early 1920s, the poet's grandson, Nikolai Ivanovich Tyutchev, the first curator of the Museum supplemented the collection with the family relics and works of art.
fragments
A style of painting which depicts subject matter (form, color, space) as it appears in actuality or ordinary visual experience without distortion or stylization. In a general sense, refers to objective representation. More specifically, a nineteenth century movement, especially in France, that rejected idealized academic styles in favor of everyday subjects. Daumier, Millet, and Courbet were realists.
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