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| Name | | Sunset At Land's End |
| Price, USD | | 75.00 |
| Status | | For sale, check |
| Size, cm
| | 33.0 x 48.3 cm /switch |
| Year made | | 2001-01-01 |
| Edition | | Limited |
| Style | |
Impressionism |
| Abstract Expressionism |
| Description | |
| The sun is setting at Land's End in Cabo San Lucas, Mexico, where the Sea of Cortez joins the Pacific Ocean. Print size listed is based on the size paper being used and the actual print could be slightly smaller. Prints are of gallery quality using archival inks and matte papers and each is signed and numbered. A certificate of authenticity is sent separately. Smaller size prints and frame quality note cards are also available. Please contact the artist for details and prices. |
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| Same Style Impressionism |
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| An art movement founded in France in the last third of the 19th century. Impressionist artists sought to break up light into its component colors and render its ephemeral play on various objects. The artist's vision was intensely centered on light and the ways it transforms the visible world. This style of painting is characterized by short brush strokes of bright colors used to recreate visual impressions of the subject and to capture the light, climate and atmosphere of the subject at a specific moment in time. The chosen colors represent light which is broken down into its spectrum components and recombined by the eyes into another color when viewed at a distance (an optical mixture). The term was first used in 1874 by a journalist ridiculing a landscape by Monet called Impression - Sunrise. |
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Pskovo-Pechorsky monastery
by Lapshin |
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| see in full album |
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| Same Style Impressionism |
|
| An art movement founded in France in the last third of the 19th century. Impressionist artists sought to break up light into its component colors and render its ephemeral play on various objects. The artist's vision was intensely centered on light and the ways it transforms the visible world. This style of painting is characterized by short brush strokes of bright colors used to recreate visual impressions of the subject and to capture the light, climate and atmosphere of the subject at a specific moment in time. The chosen colors represent light which is broken down into its spectrum components and recombined by the eyes into another color when viewed at a distance (an optical mixture). The term was first used in 1874 by a journalist ridiculing a landscape by Monet called Impression - Sunrise. |
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Pskovo-Pechorsky monastery
by Lapshin |
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| see in full album |
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