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First Name Lisa
Last Name Noonis
Biography 

Focusing on still lifes, Ms. Noonis'’ work shows the influence of 19th Century Academic style and adds a contemporary flair. There is a reflective quality combined with a wonderful sense of color and texture.

She is inspired by the natural beauty and color that exists in all things. Believing that her subjects are already works of art, she paints them as she sees them, as beautiful living things.

Relationship and gesture are of great interest to her. She is awed by the exchange of energy that occurs between two pieces of fruit or the life that a seemingly inanimate object can take on. It is her goal to express these relationships simply and truthfully.

Color has always been central to her life. She is interested in how humans are moved by color. Color itself, she believes, speaks volumes.

The use of paint and brush is very important to the artist. She is a physical painter and believes that expression comes not only from the subject matter but from how the paint is used. It is a method that keeps her brain out of the painting process and allows great freedom with mixing colors and applying paint to the canvas. It is intuitive, past, and often trance-like.

The reflections in her paintings allow for another world to emerge within the painting.

The artist, a resident of New Hampshire, was a student of Walsingham artist Dennis Perrin. Her work has been shown in galleries and juried shows in her home state and Maine.

An art movement founded in France in the last third of the 19th century. Impressionist artists sought to break up light into its component colors and render its ephemeral play on various objects. The artist's vision was intensely centered on light and the ways it transforms the visible world. This style of painting is characterized by short brush strokes of bright colors used to recreate visual impressions of the subject and to capture the light, climate and atmosphere of the subject at a specific moment in time. The chosen colors represent light which is broken down into its spectrum components and recombined by the eyes into another color when viewed at a distance (an optical mixture). The term was first used in 1874 by a journalist ridiculing a landscape by Monet called Impression - Sunrise.
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Night time Studio
by Noonis
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