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First Name Nicla
Last Name Rossini
Country Italy
Biography 

Artist and poet with international publications since the age of 16, her art focuses on the themes of precariousness and incommunicability.

 

"Nicla Rossini, is a sensible interpreter oflight values of contemporary art and capable of enquiring with her inner look the abyss of human thought" (Sabrina Falzone, art critic)

 

"Out of the listless light emerge the delicate landscapes executed by Nicla Rossini, eclectic painter and poet, who, through her unusual use or the cromatic spectrum succeeds in transmitting a sense of universal solitude, while underlining the impossibility of communication" (Sabrina Falzone, art critic)

 

Art exhibitions and publications (selection)

1993: Poems published in the journal Pneumatyke Zoe (Spiritual Life), Athens.
 

1997: Poems published in Scrittori Italiani del Secondo Dopoguerra. La POESIA CONTEMPORANEA. Prefazione di Bruno Maier. Guido Miano: Milano.
 

2010 exhibition at Climate Gallery, New York City
 

2010 Paintings selected for exhibition at Carrousel du Louvre, Paris.
 

2010 exhibition at the GalleriaIl Borgo, Milan
 

2010 exhibition at Spoleto's Festival of the Two Worlds

2011 exhibition at the Salon International des Artes Plastiques, Beziers, France 

2011 solo exhibition within the art happening "150 e oltre", Vinovo (Turin), September 9th-19th

2011 paintings selected for the international exhibition "Bologna in arte", December 3rd 10th 2011.

 


An art movement founded in France in the last third of the 19th century. Impressionist artists sought to break up light into its component colors and render its ephemeral play on various objects. The artist's vision was intensely centered on light and the ways it transforms the visible world. This style of painting is characterized by short brush strokes of bright colors used to recreate visual impressions of the subject and to capture the light, climate and atmosphere of the subject at a specific moment in time. The chosen colors represent light which is broken down into its spectrum components and recombined by the eyes into another color when viewed at a distance (an optical mixture). The term was first used in 1874 by a journalist ridiculing a landscape by Monet called Impression - Sunrise.
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Late autumn sunset
by Rossini
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Japanese garden
by Rossini
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What remains?
by Rossini
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Concern
by Rossini
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