 | |
| Complete information about artwork |
| |
|
|
|
| rating art |
|
|
|
| to do options |
|
|
| information |
|
|
| Name | | The End |
| Price, USD | | 30.00 |
| Status | | For sale, check |
| Size, cm
| | 29.0 x 21.0 cm /switch |
| Artist | | GORDON DIDSBURY |
| Year made | | 2011-02-16 |
| Edition | | Limited |
| Style | |
Representational |
| Impressionism |
| Theme | |
Seascape |
| Media | |
Other media |
| Oil on canvas |
| Collection | |
Seascapes |
| Description | |
| Limited Edition Giclee print taken from my original oil painting on canvas. Each unframed print will be signed and numbered by myself with a total print run of 500. A signed Certificate of Authenticity is also included and all prints will be printed on archival,matte (non-glossy) acid free fine art paper c300 gsm using light stable inks. Also available in packs of 5 cards (5" x 7") with envelopes for 16.50 USD inc p+p. |
|
|
|
|
|
|
 |
| |
| Same Style Representational |
|
| Artwork that purports to represent what is seen; also called objective art. |
|
| see items |
|
| |
| Same Style Impressionism |
|
| An art movement founded in France in the last third of the 19th century. Impressionist artists sought to break up light into its component colors and render its ephemeral play on various objects. The artist's vision was intensely centered on light and the ways it transforms the visible world. This style of painting is characterized by short brush strokes of bright colors used to recreate visual impressions of the subject and to capture the light, climate and atmosphere of the subject at a specific moment in time. The chosen colors represent light which is broken down into its spectrum components and recombined by the eyes into another color when viewed at a distance (an optical mixture). The term was first used in 1874 by a journalist ridiculing a landscape by Monet called Impression - Sunrise. |
|
|
Pskovo-Pechorsky monastery
by Lapshin |
|
|
|
|
|
|
|
|
|
|
| see in full album |
|
|
)
see all details ... 
mark as favorite 
