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| Name | | Animus IIIB ~ Strength Revealed Together |
| Price, USD | | 2800.00 |
| Status | | For sale, check |
| Size, cm
| | 91.4 x 71.1 cm /switch |
| Artist | | Brenda Kaye |
| Style | |
Contemporary |
| Representational |
| Classicism |
| Renaissance |
| Realism |
| Theme | |
Floral |
| Fine art Nude |
| Media | |
Oil on canvas |
| Collection | |
Animus Series I-VI |
| Description | |
Animus and flower strength reveled.
(Animus IIIA and Animus IIIB are meant to be displayed together. As you look at both pieces, you can see that Animus IIIA can naturally hang over Animus IIIB. They are a top and bottom piece of a whole figure, and can be hung together for greater visual impact.)
Unfortunately, while taking a digital image of the paintings: Animus IIIA and Animus IIIB the coloring of the photograph came out different. The paintings colors are the same, the skin color is identical in both paintings because I painted them with the same palette.
The shipping depends where its going to and if you want it on a frame, stretched and ready to go, or if you just want the canvas shipped unstretched and flat or if you want to risk potential cracking by rolling the canvas and shipping it that way. The difference in price is substantial enough that I do not quote shipping until I have some details on how and where |
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| Same Style Contemporary |
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| 1950-Now |
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| see items |
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| Same Style Representational |
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| Artwork that purports to represent what is seen; also called objective art. |
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| see items |
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| Same Style Classicism |
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| Referring to the principles of Greek and Roman art of antiquity with the emphasis on harmo... |
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| see items |
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| Same Style Renaissance |
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| Meaning "rebirth" in French. Refers to Europe c. 1400-1600. Renaissance art which began in... |
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| see items |
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| Same Style Realism |
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| A style of painting which depicts subject matter (form, color, space) as it appears in actuality or ordinary visual experience without distortion or stylization. In a general sense, refers to objective representation. More specifically, a nineteenth century movement, especially in France, that rejected idealized academic styles in favor of everyday subjects. Daumier, Millet, and Courbet were realists. |
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