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Name | | Mudd Doll E |
Price, USD | | 350.00 |
Status | | For sale, check |
Size, inch
| | 14.0 x 18.0 inch /switch |
Artist | | Brenda Kaye |
Style | |
Modern |
Abstract |
Figurative Art |
Impressionism |
Theme | |
People |
Media | |
Oil on canvas |
Collection | |
Miscellaneous pieces |
Description | |
Magazine article about the :
Mudd Doll Series
Using warm browns and oranges, she paints portraits of dolls, always leaving the face indistinct. "I want to capture the warm feeling of comfort you get from a doll, but leave the image generic enough so that the viewers can clamin the image for themselves," states Kaye. This faceless quality is typical of her eMotionistic works as well. In all, this series is more abstract from her usual paintings, and quite endearing, too. the warm tones are essential, because without the warmth, the faceless dolls could possibly be a little haunting.
These dolls are painted with a heavy application of oil paints. The texture of these paintings is very apparent and the glossy finish will preserve the paint for a couple hundred years. |
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fragments |
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Same Style Modern |
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1900-1949 van Gogh, Monet |
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see items |
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Same Style Abstract |
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A 20th century style of painting in which nonrepresentational lines, colors, shapes, and f... |
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see items |
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Same Style Figurative Art |
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Art in which recognizable figures or objects are portrayed. |
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see items |
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Same Style Impressionism |
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An art movement founded in France in the last third of the 19th century. Impressionist artists sought to break up light into its component colors and render its ephemeral play on various objects. The artist's vision was intensely centered on light and the ways it transforms the visible world. This style of painting is characterized by short brush strokes of bright colors used to recreate visual impressions of the subject and to capture the light, climate and atmosphere of the subject at a specific moment in time. The chosen colors represent light which is broken down into its spectrum components and recombined by the eyes into another color when viewed at a distance (an optical mixture). The term was first used in 1874 by a journalist ridiculing a landscape by Monet called Impression - Sunrise. |
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Pskovo-Pechorsky monastery by Lapshin |
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see in full album |
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